The romance between Raj and the campus bombshell (Ayesha Takiya) is so misguided, you feel the directors are more embarrassed about it than the poor red-faced hero who looks like an acne-stricken school kid rather than a cool dude with the classiest car ever seen in a Hindi film. Besides the revenge, there's no other dimension to the plot. What makes matters worse is the absence of a substantial story line. The more the magical car races, the more the storytelling stops, creating a strange conflict between speed and substance in the plot. The transformation, when it comes, stymies the narrative.
all the sequences featuring the nerdish hero (debutante Vatsal Sheth) and the campus bullies are inspired by Hrithik Roshan in "Koi.Mil Gaya". Thanks to the pincer-sharp editing, the early sequences, showing the little protagonist with his mechanical-engineer dad (Ajay Devgan) growing up to be a bespectacled nerd, convey energy.īut let's be honest. Ironically, it is the portions before the magical car arrives that find the co-directors in their element.
The saga of the murderous motorcar becomes progressively dampened until we arrive at the soggy climax where the car walks on water while Ajay Devgan, playing a ghost in a machine-on-wheels, walks into the sunset, leaving us with a flick that means well but fails to translate good intentions into a viable and cohesive entertainer. One by one, in excruciatingly elaborate sequences, the killer goes on the rampage against the villains, finishing them off with ritualistic glee. Once the automobile revs up the narrative, directors Abbas and Mustan set their minds and hearts on telling a ramrod-straight vendetta story. Ironically, the appearance of the car proves to be the beginning of the film's downslide.
A supernatural killer - a car so sleek in design and so flush with powers to seduce audiences that you wonder why it is introduced so late in the narrative!Īnd when the supernatural automobile - a quaint mix of the benign Volkswagen Herbie in Walt Disney's "The Love Bug" and the killer convertible in John Carpenter's "Christine" - finally shows up, all sleek and span, glistening in the sun like a blue-hued gem in a jewellery store, you wonder what's so wondrous about it, beyond its obvious physical resplendence!
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